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School of Visual Art and Design

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President’s House Visual Art and Design Showcase

Each year undergraduate and graduate students are nominated by faculty to exhibit their art works at The President’s House on the University of South Carolina campus.

2025-2026 Exhibiting Artists\

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Katy McCormack

Headwind, 2024
Digital archival print
Price: $250

Bio

Katy McCormack is an Aiken, South Carolina-based photographer. She is currently a graduate student in the MFA program at the University of South Carolina.  Her work focuses on familial relationships, memory, and identity.  

Artist Statement

Headwind is an image from a larger body of work titled Have You Seen Me?  The work explores the relationship with self and Carl Jung’s concept of the “shadow self.”


Sophie Wickes

Bright Arts, 2025
Linoleum Relief Print


Jackson Shaner
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Veiled Ambivalence, 2023
Ceramics and Glazes

Bio:

Jackson was born and raised in Greenville, South Carolina, where he received his BA in Studio Art from Furman University. Currently, Jackson lives and works in Columbia, SC, as he pursues his MFA and teaching career at the University of South Carolina.   

Artist Statement:

In my work, I explore how strong emotions interact with the body. Emotional experiences often somatize physical symptoms like tension, discomfort, or even pain. I often reflect on these felt experiences and attempt to make them tangible. My studio practice allows me to create space for my emotions, process them, express their sensorial effects, and explore facets of my identity in a cathartic and healing way.


Gienesa N. Moreira
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Metal Thoughts, 2024
Metals (Silver, Nickel, Brass, Copper),
Leather, Plastic, Wood, Coffee

Bio:

Gienesa is an Art Education major who has dedicated herself to learning and experiencing as many diverse art mediums and techniques as possible.  

Artist Statement:

These metal works represent the methodical process of learning a new medium. Each piece is made using a different metal working technique, while also combined with materials the artist has worked with before. It is an example of the mind exploring the unknown with the guidance of past lessons.


Tristan Thorvaldson

Untitled, 2025
Ceramics and Glazes

Bio:

 I’m Tristan Thorvaldson, born and raised in Lexington, South Carolina. My primary media is Ceramics, and I also enjoy writing poetry. I tend to make functional work, but also enjoy creating a story.

Artist Statement:

The body of work this piece was taken from is all about diving into my emotions about events and people in my life. Whether they are present or past, I wanted these works to feel like someone was looking into my life and could follow my developing moments. It has always felt like I need to hide certain elements of my life, so with this, I wanted how I feel to be out there and readily available.


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Tamia Turner

Two Sides for You, 2025
Brush Pen and Ink on Vellum Paper
NFS

Bio:

Tamia Turner is a traditional artist who specializes in pen-and-ink drawing. She received her BFA in Art Studio, emphasizing Drawing, and her BA in Art History from the University of South Carolina in May 2025 and is currently pursuing her MFA in Illustration at the Savannah College of Art and Design.

Artist Statement:

My current series, titled “Missing Person,” revolves around the complications of love and the experiences of longing for someone you’ve never met while being conflicted about someone from the past. My work features a fictional female character paired with animal companions, often inspired by chosen songs used for inspiration. Music is an essential aspect of my process and final work; therefore, by infusing each piece with a particular song, I can deeply capture my emotions connected to personal struggles, expressed through vibrant female and animal characters instead of traditional words. In my work, I combine the charm of vintage illustration and historical folklore on witchcraft to convey my experiences with potential love interests. It originates from a deep admiration for Victorian-era ink illustrations, a style that resonates with me and my fascination for folklore stories involving witches and witchcraft. My artwork is a deliberate expression of my deepest emotions, layered with meaning and crafted through traditional mediums and color schemes that pay homage to the elegance of Victorian art. Each piece invites viewers to journey through my memories, experiencing the emotions that shaped my artistic vision. The artists that most influence my work include Northern Renaissance artist Albrecht Dürer, English book illustrator Arthur Rackham, and Italian illustrator Jessica Cioffi.


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Mitra Kavandi

So Far So Close, 2024
Oil on Canvas
$4000

Bio:

Mitra Kavandi is a multidisciplinary artist based in Columbia, South Carolina. She is currently pursuing her Master of Fine Arts (MFA) in Studio Art with a concentration in ceramics at the University of South Carolina. With a background in psychology and a deep interest in philosophy, her work explores themes such as time, identity, and the tension between material and meaning.

Artist Statement:

This work is a reflection on the human longing for liberation and the search for something beyond the tangible world—in a landscape suspended between reality and imagination. A nude figure, rendered in shades of blue that echo the sky, stands on the edge of a cliff deep within the mountains, reaching toward glass cubes containing moving clouds. These elements are symbols of dreams, imagination, hope, and desires that are always in motion. In this liminal space between earth and sky, between body and mind, I have aimed to capture a moment of suspension—a place where the yearning to touch the unknown extends beyond the boundaries of what is visible. This work explores the endless human quest for meaning and a higher purpose. In this suspended state between body and mind. At the heart of this work lies the unconscious human pull toward self-creation and transcendence. The motion of the figure’s hand reflects the human condition—caught between the limits of sensory perception and the boundless realm of intellect and ideals. This painting is a visualization of the inner struggle between what can be known and what forever remains out of reach—a reflection of the concept of the “shadow self,” the parts of our being that remain unknown, yet ceaselessly draw us toward them. 


Challenge the conventional. Create the exceptional. No Limits.

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